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Bak Mei Arrow Punch (Power Jab)

9/29/2013

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It's been a year since my last post, as I have decided to dedicate this post to my late father who was my inspiration and role model.

Bak Mei is known for it's power generation via luk ging, sei ngoi ging, and baat ging so I've decided to make a video breaking down a simple technique to showcase words to action.

Our focus will be the Arrow punch (Jin Choi).  It is called Jin Choi for the fact that the stance looks like an archer holding a bow preparing to loose an arrow.

The power of the arrow punch comes from the turning of the hip verses just utilizing the shoulders as you would in a boxing jab.  the fact that you are perpendicular to the opponent when the punch hits allows you to twist your hips to facilitate the torque to the strike therefore increasing the power of the "jab".

As always, actions speak louder that words.  Enjoy the video.
http://www.youtube.com/watch?v=m91-q-tmGqM&feature=c4-overview&list=UU9oJAU6yEtkJXhtOoLC7Qsw

Addendum
Further to the subject of power generation as it pertains to this arrow punch as a "power jab", I've been recently asked by some students the differences in ging (power). I will start off by first differentiating between strength (lik) and power (ging). Simply put muscular strength is blunt and dull while developed power is sudden and sharp.
ie. punching with shoulder vs punching with the waist/hips.

Bak Mei Ging (Power) is classified into the following:

LUK GING (6 sectors of kinetic bridging) aka kinetic chain of biomechanics:
They are gek, yiu, bok, sau, geng, and nga (legs/stance, shoulders, arms, neck, and teeth). This means that all these parts must be coordinated & integrated to allow proper force emission.

SEI NGOI GING (4 internal dynamic forces) / kinetics:
ie. fau, chum, tun, tou (float, sink, swallow, spit).
This refers to how power should be produced and exerted.

BAAT GING (8 manifestations of force) / Kinematics.
This refers to when luk ging and sei noi ging are properly performed and is given proper direction.
They are: bin, got, waan, jong, chung, taan, sok, and pun (whip, cut, pull. crash, rush/charge, flick/bounce, rope, and coil.

As you can see there is much more to Bak Mei than just the external motions. It takes time to become proficient at each level before you can move forward. Meaning that you must understand proper alignment (luk ging), before you can properly practice sei ging. Luk ging and Sei ngoi ging must be understood and properly performed before you can execute baat ging.

Dedicated to Edward Wong, love you always.
1948 - 2011
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Pragmatic Martial Arts Training

10/13/2011

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The etymology of Martial arts comes from the Latin word Mars (the Roman god of war).  In simple terms it means war arts.  In ancient times, warfare involved melee combat with edged or blunt weapons and often times hand to hand.  Now in modern times, warfare is mostly waged by various advanced technology and as such has replaced the man on man type fights on the battlefield.  Today, martial arts are instead used for personal self defence, sport combat, as an art form, or preserving tradition.  In this discussion we will look at the martial aspect of training.

As we know, most traditional martial arts training begins with forms play (katas).  Forms are good as they catalogue the array of techniques of the respective style, it can also be loosely seen as a type of shadow boxing.   However some practitioners focus solely on forms whilst falsely believing that it encompasses all facets of martial training.  Mind you if it is the practitioners objective to utilize the forms for acrobatic/performance nature then that is a different story altogether, as it is the artistic element that they are attaining (i.e. Wushu demonstrations showcasing forms).  

On the other side, if a practitioner truly wishes to attain pragmatic combative ability then they must also focus on other areas.  These include bag/pad work (striking punching bags and having a feeder to work target mitts while you apply combos in a dynamic manner) which are essential to building power and timing.  Physical conditioning is another important step.  This entails cardio and strength training, as a certain amount of strength and endurance are required if you plan on using you skills against a live opponent(s).  Which leads to the next stage, sparring (including chi sau, luk kiu, etc).  This is required to gain perspective on distance, speed, and timing.  There are different levels of sparring ranging from point no-contact to full power.  To gain FULL potential in your combative value, full power and speed must be used (of course you may always choose to tone down the level of power if that is your preference, but keep in mind this will cause a reduction of training efficacy accordingly).  Some practitioners may argue that certain techniques would be too deadly to use at full power.  This can be offset by safety equipment ranging from the wide variety of head guards, chest protectors, and gloves which are available and can be worn to suit the practitioner preferences.  Still others would argue that the big 16 oz boxing gloves would hinder certain hand techniques.  Certainly this can be solved by using open finger gloves such as the 4-6 oz mma glove which allows the practitioner to apply any and all ranges of motion as a bare hand would while still providing safety.

In conclusion Martial arts focusing on the combative side should be trained as such.  Comparitvely looking at other athletic endeavours such as hockey, a player gets on the ice with the proper gear, a baseball player does more than just play catch with his dad, and as Bruce Lee stated: "a swimmer cannot train on dry land, they must get into the water to do that".  So in a nutshell a martial artist who wants to acquire combative skills should then do more than just play forms…    

Be without ego, have respect, and train hard.

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    Author

    Ed Wong, 7th gen. Bak Mei
    Instructor. 

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